The film clip and No. 5 bar

Apart from the recording and gigging we’re doing over here, Patrick has also been collecting vision for some film clips for 3 of the album songs. One of those is called “So Saigon”. It was originally entitled “So Far Gone”, but with the practices in Adelaide, it morphed a bit and became more topical. I liked it because of the sense of metaphor; although being “So Saigon” didn’t really mean anything before, it does now! We’ve since found out that it translates quite well into Vietnames, too, the “So” prefix gives the subject (Saigon) a uniqueness or feeling of being special. This may well be beneficial if we decide to push the single into HCMC when it’s all set up. The songs we are recording are…

• Blueprint
• Too Late the Hero
• Maggies
• Give It Away
• Plan B
• I Don’t Mind
• Sandpaper Sally
• So Saigon
• Falling In Love (for the 1st Time)
• Images

All songs were written entirely by Peter Flierl, the bass player, with the exception of Sandpaper Sally, to which I contributed some lyrics. Blueprint, Too Late the Hero and I Don’t Mind were all written and performed in the 80’s version of the band, and Plan B was written and performed by Dexy’s Midnight Runners. The band in those days was heavily influenced by Dexy’s and so took their name from that song. Although we’ve always performed it, the idea of including it on the album was a strategic one; while the album is being prepared, Peter, Patrick and myself will seek out blogs and forums of Dexy’s fans and make our selves known there. Once the song is ready, we’ll let them know about it and hopefully pick up a few new fans that way. I think we need to be prepared for some pretty ‘religious’ discussion at the time, but if we maintain a position of respect for Dexy’s, and that this song is a nod to them, not a rip-off, we should be OK. Given the number of songs, plus the two recorded last year (Call Me and Southern Delta), we’re actually considering releasing an EP first so that we can have it ready sooner. All the post production will happen back in Adelaide, so we’ll just see how long it takes when we try it. Anyway, back to the film clip. Patrick’s idea was for it to be about me wandering lost after having broken up with a girl (played by local girl Thi), and another girl (Helen) always appearing at the right moment to help me out. Helen was fantastic; she is actually one of the receptionists at our hotel, and was happy to give up half a day to appear in the clip. The clip takes place mainly in the back alleys near the hotel. These are amazing places, like rabbit warrens, off the main streets. Patrick put together a test clip (click here) to get a feel for how it would look (excuse the ‘dry’ singing, this is actually a very difficult piece to pitch because it has such long extended notes in it. The soundtrack on this clip is from one of the guide vocals I put down early in the recording process.

That night we played the No. 5 bar. We played here a couple of times last tour, and so there was a real sense of coming home in preparation for this gig. As usual with high expectations, the reality was a little disappointing. The bar and the girls which seemed so much fun and welcoming last year felt a whole lot more ‘business as usual’ this time. We set up, we played, and we left. Actually, it wasn’t quite like that; we had a few chats to a some of the customers and got a great reaction from the crowd.

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The following day I spent around the hotel room, not doing a lot. Apart from my own recuperation, Kayla was still quite poorly; she slept most of the day, and so I stayed with her to give Karen the opportunity to do some exploration. That night we dragged her out of bed to go to the Jazz Club, a club run by the owner of the recording studio, Tran Manh Tuan. We didn’t stay too long but the whole experience was very rewarding, seeing Tuan play and watching a couple of locals get up and sing with the band. This sparked the idea in me that I could do it, too, and so I resolved to speak to Tuan the next recording session. 

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